My job was to produce a 10 minute storyboard (give or take 3 minutes) of an episode. I was given the episode script, and a copy of the series’ Writer’s Bible, and was told to complete the storyboard of the episode, and send it to JAM Media for reviewing. The feedback was always constructive and extremely thorough, which was incredibly helpful.
There was usually a 3 day delay from when I would send in my copy of the storyboard, to when I would receive feedback, leaving 4 days to fix all the issues before I had to send in the new revised copy.
Any time I had a question I was normally answered within a couple of hours, which was incredible helpful.
The only problems I would have had over the entire process was that whenever I was having a technical issue, I was entirely alone. None of the team I was working with had any clue how to fix the issues I had with rendering or file formatting, and the tutorials and troubleshoots were entirely useless. It was only through sheer trial and error that I managed to complete some of the renders on time.
Whilst I would be working from home, the JAM Media team were excellent at communicating and giving me all the instructions I would need to complete the project.
I was told that the software I would need for the project was Toon Boom Storyboard Pro, and it honestly was not very difficult at all to learn.
The most interesting this I learned whilst preparing for the project was the Writer’s Bible. I was sent a copy for the show I was working on, and I was blown away by all the stuff I didn’t know I should have even thought about! Little details like which of the main cast should be leading the party when they go on adventures, and how that same character must always be standing in the centre of the group when they’re not on the move. There were also other details like examples of movies/shows that we were basing the cinematography off (it was mostly Wes Anderson films), and little non-verbal quirks that some of the characters have. My favourite Writer’s Bible tip was how it described how each character would react if a banana were to spontaneously appear in front of them (some reactions were “immediately eat it” or “study it to learn more about inter-dimensional travel” which was especially humourous and taught me a lot about the personalities of the different characters). It was a really great way of establishing a world without the television show having existed yet, and a great way of ensuring consistency with the locations and the characters with all the different storyboard artists. I made a mental note to definitely make one of these in the future for my own projects!
In early October 2016 I was contacted by JAM Media about the potential of working as a storyboard artist for the company. Of course I accepted the proposal and was given a quick test (a piece of script which I was to create a storyboard for). I passed the test and thus was hired by JAM Media to complete a storyboard for their upcoming animated show.
I did sign a non-disclosure agreement so I will not reveal anything about the actual show itself, but I will talk about what I learned during my time working for JAM.
Animation Student and Notorius dragon enthusiast